《威尼斯商人》中的人物形象分析
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资料包括： 论文(24页7118字)
说明：
摘 要：众所周知，《威尼斯商人》是莎士比亚著名喜剧之一。 该剧的主题被定义为对善良、友谊和爱情的颂扬。 本剧不但反映了资本主义早期资产阶级同高利贷者间的矛盾冲突，也揭示了作者对资本主义社会金钱、法律和宗教信仰的人文主义观点。本论文采用了个案分析法以及对比分析法对该剧的主要人物形象作了一一剖析，展示了资本主义萌芽时期人文主义的浓厚气息，表达了莎士比亚对社会、对人类生活的反思，并寄以自己的理想。课题对封建旧势力的代表——夏洛克作了无情的批判，而对形象鲜明、富有光彩的鲍西娅则添上了浓厚的人文主义理想色彩。文章彰显了女性个性解放，突显了文艺复兴时期伊丽莎白当权期，女性地位、意识的重大突破。
关键词：人物分析；人文主义思想；个性解放；女性意识
Abstract
As we known that the merchant of Venice is one of Shakespeare’s most important works. It is a comedy. The theme of this play is to extol kindheartedness, friendship and love. And also it reflects the conflicts between the capitalists and usurers at the beginning of the capitalist society. And it expresses the author’s humanist idea on money, law and religion in capitalist society. This thesis analyzes the main figures in the play by using independent and contrast ways. It shows the heavily flavor of humanism at the beginning of capitalist society; and expresses some thoughts for society and human being. The thesis also makes a hard criticism to Shylock, who is a representative of feudalism, and puts a heavy humanism on Portia. It displays the thoughts of feudalism personality liberation, and stressing the great breakthrough of woman’s status and feminine consciousness in Elizabethan era.
Key Words
Character analyzing; humanism; personality liberation; women consciousness
Introduction
The Merchant of Venice is one of the Shakespeare’s famous comedies in his early time. It’s theme is to extol kindness, friendship and love. It is the mirror of the contradiction between business bourgeois and usurer at the beginning of the Capitalist society. It’s also expressed the author’s humanism ideas on money, law and religion in this society. There, we mention Humanism--the main distinguishing feature of that period, also the brightness characteristic which is shown from the important role in this play.
In this thesis, the author introduces the background of the play firstly. Reading the play, we can know that the social background in the play is according with the real society. We know at that time, the society was under the leadership of Elizabeth who was the symbol of power in England. Next the thesis gives an introduction of the main figures in the play. Antonio is rich and kindhearted. From him we can see the spirit of humanism. Portia plays the most important part in the play. The thesis talks about her character, her hobbies, and her attitude of love and the inner meaning-humanism of this figure. She is the center of all these figures the play refers to. Humanism is an ideological weapon for capitalism to fight the feudalism combat, and also it is the core idea of capitalism advanced-literature in Renaissance, and its combat refers to the ideal of Feudalism in Middle Age, especially the religion belief of Catholics. After that, the thesis gives more details about the information mentioned above. Then the thesis compares the figures to give a highlight of the humanism spirit.
目录：
Abstract……………………………………….…………………………………….…Ⅱ
Key Words…………………………………………..……………..…………………Ⅱ
摘要……………………………………………………………………….………..…Ⅲ
关键词………………………………………………………………………………Ⅲ
Introduction…………………………………………………………………… 1
Ⅰ. Social Background of the Play the Merchant of Venice…………………………. 2
A. The Reality Social Information in Elizabeth Throne…….……………………2
B. Special Social Background Reflecting in the Merchant of Venice…..2
Ⅱ. Analyzing the Heroes in the Play………………..………………………………3
A. Antonio…………………………………………………………………………3
B. Bassanio………………………………………………………………………4
C. Shylock…………………………………………………………………………5
III. Analyzing the Central Character in the Play--Portia ……………………….…6
A. The Essential Nature of Portia……………………………………………..…6
B. The Humanism Spirit Shown by Portia ………………………………………6
C. Portia- a Self-conscious Female……………………………………………..7
D. An Explanation on Portia Masquerading as Man……………………………8
IV. A Comparative Study of Characteristic Differences among Main Figures……10
A. Portia and Jessica……………………………………………………………10
B. Portia and Shylock…………….………………………………………………11
C. Antonio and Bassanio………….……………………………………………12
Conclusion……………………………………………………………………….….14
Acknowledgements…………………………………………………………………16
Notes………………………………………………………………………………17
Bibliography………………………………………………………………………18
参考文献：
http:// learn.tsinghua.edu.cn
http://www.wenxue.com
http://www.jetlink.net/~massij/shakes
Jameson．Shakespeare’s Heroines．London：Longman，l961.
Wilson，John Dover．Shakespearean Comedies．Chicago：Northwest University Press， 1962．
方平. 和莎士比亚交个朋友吧[M]. 成都：四川人民出版社，1983.
郭元波，唐爽. Humanistic Interpretation of the Merchant of Venice[J]. 辽宁师范大学学报（社会科学版）2006(3)：94—96.
黄必康. 莎士比亚名篇赏析[M]. 北京：北京出版社，2005.
胡健生.悲喜交错乎-莫里哀喜剧艺术风格质疑[J].齐鲁学刊:1996(3).
胡健生，朱祖林. The Excellent Use of “Abrupt Turn” and the Elaborate Construction of “Behind—the—Screen characters”—A Novel Interpretation of the Artistic Features of the Venice Merchant[J].宝鸡文理学院学报（社会科学报）, 2000 (2):42-46.
李超，邓兴义主编．新编英美概况[M]. 汕头：汕头大学出版社,2004.
栗沙.亦喜亦悲两相宜-《威尼斯商人》解释[J].贵州师大学学报:1998(2).
黎会华.从《威尼斯商人》的女性人物塑造看莎士比亚的女权主义倾向[J].浙江师范大学学报（社会科学版），2003 (2):23-26.
欧华恩.论夏洛克性格的多元组合[J]. 邵阳学院学报（社会科学版），2005(4):16-19.
[15]张祥和，杨菲翡. Function of Disguise in Shakespeare’s Comedies[J]. 南京工业大学学报（社会科学版）,2004 (3):27-29.
[16]王述文. On Images of Heroines in Shakespeare’s Four Greatest Comedies[J].四川外语学院学报, 2000（4）：16.
[17]王佐良，祝钰. European Culture An Introduction[M].北京：外语教学与研究出版社，2004.
[18]温祖荫．世界名著介绍与欣赏[M].福州：福建教育出版社．1983.
[19]肖四新.论莎士比亚的人性观[J].宁夏大学学报（社会科学版）， 2006(2):12.
[20]智量. 外国文学名作自学手册[M]. 上海：上海艺术出版社，1985
[21]张伯香. Selected Readings In English And American Literatures[M].北京：外语教学与研究出版社.2002
[22]张文庭注释. 莎士比亚注释丛书《威尼斯商人》[M].北京：商务印书馆，1989.
[23]朱生豪译. 李尔王[M]. 北京：外文出版社，1999.
[24]朱生豪译. 莎士比亚喜剧集[M]. 南京： 译林出版社，2001.
作者点评：
《威尼斯商人》中的人物形象分析
资料包括： 论文(24页7118字)
说明：
摘 要：众所周知，《威尼斯商人》是莎士比亚著名喜剧之一。 该剧的主题被定义为对善良、友谊和爱情的颂扬。 本剧不但反映了资本主义早期资产阶级同高利贷者间的矛盾冲突，也揭示了作者对资本主义社会金钱、法律和宗教信仰的人文主义观点。本论文采用了个案分析法以及对比分析法对该剧的主要人物形象作了一一剖析，展示了资本主义萌芽时期人文主义的浓厚气息，表达了莎士比亚对社会、对人类生活的反思，并寄以自己的理想。课题对封建旧势力的代表——夏洛克作了无情的批判，而对形象鲜明、富有光彩的鲍西娅则添上了浓厚的人文主义理想色彩。文章彰显了女性个性解放，突显了文艺复兴时期伊丽莎白当权期，女性地位、意识的重大突破。
关键词：人物分析；人文主义思想；个性解放；女性意识
Abstract
As we known that the merchant of Venice is one of Shakespeare’s most important works. It is a comedy. The theme of this play is to extol kindheartedness, friendship and love. And also it reflects the conflicts between the capitalists and usurers at the beginning of the capitalist society. And it expresses the author’s humanist idea on money, law and religion in capitalist society. This thesis analyzes the main figures in the play by using independent and contrast ways. It shows the heavily flavor of humanism at the beginning of capitalist society; and expresses some thoughts for society and human being. The thesis also makes a hard criticism to Shylock, who is a representative of feudalism, and puts a heavy humanism on Portia. It displays the thoughts of feudalism personality liberation, and stressing the great breakthrough of woman’s status and feminine consciousness in Elizabethan era.
Key Words
Character analyzing; humanism; personality liberation; women consciousness
Introduction
The Merchant of Venice is one of the Shakespeare’s famous comedies in his early time. It’s theme is to extol kindness, friendship and love. It is the mirror of the contradiction between business bourgeois and usurer at the beginning of the Capitalist society. It’s also expressed the author’s humanism ideas on money, law and religion in this society. There, we mention Humanism--the main distinguishing feature of that period, also the brightness characteristic which is shown from the important role in this play.
In this thesis, the author introduces the background of the play firstly. Reading the play, we can know that the social background in the play is according with the real society. We know at that time, the society was under the leadership of Elizabeth who was the symbol of power in England. Next the thesis gives an introduction of the main figures in the play. Antonio is rich and kindhearted. From him we can see the spirit of humanism. Portia plays the most important part in the play. The thesis talks about her character, her hobbies, and her attitude of love and the inner meaning-humanism of this figure. She is the center of all these figures the play refers to. Humanism is an ideological weapon for capitalism to fight the feudalism combat, and also it is the core idea of capitalism advanced-literature in Renaissance, and its combat refers to the ideal of Feudalism in Middle Age, especially the religion belief of Catholics. After that, the thesis gives more details about the information mentioned above. Then the thesis compares the figures to give a highlight of the humanism spirit.
目录：
Abstract……………………………………….…………………………………….…Ⅱ
Key Words…………………………………………..……………..…………………Ⅱ
摘要……………………………………………………………………….………..…Ⅲ
关键词………………………………………………………………………………Ⅲ
Introduction…………………………………………………………………… 1
Ⅰ. Social Background of the Play the Merchant of Venice…………………………. 2
A. The Reality Social Information in Elizabeth Throne…….……………………2
B. Special Social Background Reflecting in the Merchant of Venice…..2
Ⅱ. Analyzing the Heroes in the Play………………..………………………………3
A. Antonio…………………………………………………………………………3
B. Bassanio………………………………………………………………………4
C. Shylock…………………………………………………………………………5
III. Analyzing the Central Character in the Play--Portia ……………………….…6
A. The Essential Nature of Portia……………………………………………..…6
B. The Humanism Spirit Shown by Portia ………………………………………6
C. Portia- a Self-conscious Female……………………………………………..7
D. An Explanation on Portia Masquerading as Man……………………………8
IV. A Comparative Study of Characteristic Differences among Main Figures……10
A. Portia and Jessica……………………………………………………………10
B. Portia and Shylock…………….………………………………………………11
C. Antonio and Bassanio………….……………………………………………12
Conclusion……………………………………………………………………….….14
Acknowledgements…………………………………………………………………16
Notes………………………………………………………………………………17
Bibliography………………………………………………………………………18
参考文献：
http:// learn.tsinghua.edu.cn
http://www.wenxue.com
http://www.jetlink.net/~massij/shakes
Jameson．Shakespeare’s Heroines．London：Longman，l961.
Wilson，John Dover．Shakespearean Comedies．Chicago：Northwest University Press， 1962．
方平. 和莎士比亚交个朋友吧[M]. 成都：四川人民出版社，1983.
郭元波，唐爽. Humanistic Interpretation of the Merchant of Venice[J]. 辽宁师范大学学报（社会科学版）2006(3)：94—96.
黄必康. 莎士比亚名篇赏析[M]. 北京：北京出版社，2005.
胡健生.悲喜交错乎-莫里哀喜剧艺术风格质疑[J].齐鲁学刊:1996(3).
胡健生，朱祖林. The Excellent Use of “Abrupt Turn” and the Elaborate Construction of “Behind—the—Screen characters”—A Novel Interpretation of the Artistic Features of the Venice Merchant[J].宝鸡文理学院学报（社会科学报）, 2000 (2):42-46.
李超，邓兴义主编．新编英美概况[M]. 汕头：汕头大学出版社,2004.
栗沙.亦喜亦悲两相宜-《威尼斯商人》解释[J].贵州师大学学报:1998(2).
黎会华.从《威尼斯商人》的女性人物塑造看莎士比亚的女权主义倾向[J].浙江师范大学学报（社会科学版），2003 (2):23-26.
欧华恩.论夏洛克性格的多元组合[J]. 邵阳学院学报（社会科学版），2005(4):16-19.
[15]张祥和，杨菲翡. Function of Disguise in Shakespeare’s Comedies[J]. 南京工业大学学报（社会科学版）,2004 (3):27-29.
[16]王述文. On Images of Heroines in Shakespeare’s Four Greatest Comedies[J].四川外语学院学报, 2000（4）：16.
[17]王佐良，祝钰. European Culture An Introduction[M].北京：外语教学与研究出版社，2004.
[18]温祖荫．世界名著介绍与欣赏[M].福州：福建教育出版社．1983.
[19]肖四新.论莎士比亚的人性观[J].宁夏大学学报（社会科学版）， 2006(2):12.
[20]智量. 外国文学名作自学手册[M]. 上海：上海艺术出版社，1985
[21]张伯香. Selected Readings In English And American Literatures[M].北京：外语教学与研究出版社.2002
[22]张文庭注释. 莎士比亚注释丛书《威尼斯商人》[M].北京：商务印书馆，1989.
[23]朱生豪译. 李尔王[M]. 北京：外文出版社，1999.
[24]朱生豪译. 莎士比亚喜剧集[M]. 南京： 译林出版社，2001.
作者点评：
《威尼斯商人》中的人物形象分析